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  • nine small paintings of different portions of the body arranged to form a larger square.
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Skin Series, 2020.

The COVID-19 pandemic presented a challenge to me as a figurative artist. Isolation left me longing to be with the friends and family I missed, and painting or drawing them seemed only to further this longing. I couldn’t bring myself to do it. Instead, in my inability to paint whole figures, I focused in on the body - namely, skin. I’m sure I’m not the only one to develop a unique relationship with skin during the pandemic. Stress related break-outs, self-care related beauty routines, and boredom induced hair plucking all became common. A lot of us have had time to reevaluate parts of ourselves we might not have before. I began to see skin as the arena of a whole different world with its own stories of pain, triumph, strength, and loss. As its own entity skin became less of a place of frustration and burden and more a wilderness full of simultaneously familiar and alien sites. In painting skin, the depth of experience - and material - amazed me. Painting a bruise, acne, or lip hair was all cathartic beyond belief. Covid no doubt will have a lasting impact on my practice as an artist, forcing me - and I’m sure many others - to dive deep into unfamiliar territories.

Mil Newton
B.A. Art Practice, History of Art, 2021 | UC Berkeley Visual Arts |
Mil Newton is a midwest transplant and current Art Practice/History of Art undergrad at UC Berkeley. Previous to attending UC Berkeley Mil Newton worked as an educator and Art Director for the Boys and Girls Club of Santa Cruz, California. As an artist their practice focuses on recording the often unseen or unrecognized relationships between people, places, things. They see portraiture as an act of giving.

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